Shop Item of the Week is this lovely drypoint print by Tommy Mason. Titled 'Hill', this piece measures 20 x 28 cm and is priced at £25. You can view it on our online shop here, or pop by the gallery to see it in person. As always, if you would like this print framed, we can assist. Just contact us at firstname.lastname@example.org or ring 0141 552 2822.
Tommy Mason has work in a show that opens this evening at the Lighthouse in Glasgow. Organised by RECOAT, 'This WIll Ruin Everything' features the work of 40 fine artists who cross over into design. We are delighted that Tommy has been invited to exhibit with RECOAT. Please follow this link for more info about his exhibition.
The first of our two week-long performance workshops will be drawing to a close on Friday. The young artists involved spent the week experimenting with music, textures and movement, responding to our current exhibition Young Talent through the medium of performance art.
Led by drama artist Clare Hume and with tutor Allan McKeown, these multi-sensory workshops have been a great opportunity for our participants to explore art via a more unconventional channel.
The group will be showcasing a performance for the public on Friday 14 July, at 1.30pm in Trongate 103. Everybody welcome!
Next workshop: week starting 24th July. There are still a few places available, call us on 0141 552 2822 to book a place.
Artwork of the week is this painting on paper of a ‘Horse’ by Kyle Morrison. Kyle is part of our Create programme for young artists. This painting is one of two horses he has in the Young Talent exhibition which opens in the Project Ability gallery this Saturday, July 8th, at 1pm.
This ‘Horse’ is reminiscent of historic cave paintings found in places such as the Lascaux Cave in France. The simplicity of form and colour looks as though it has been borrowed from these paintings from the Stone Ages. Kyle has done a series of these Horse paintings and each has its own subtle variations in the same way as the cave paintings do.
Cameron Morgan is now starting his second week in residence at the Arthouse. Technician Jim Ewen spent the first week with him, and brought back many photos and many stories.
Tuesday 20th June: we started the day meeting Richard Marsden -the screen printer- who would be working with us exploring the process. We jumped straight in, turning Cameron’s picture of the combine harvester into a 4 colour print. This involved quite a lot of preparation of scanning editing and colour separation on the computer. Printing the images onto acetate. Coating the silkscreens, then exposing them, and finally, washing and drying the screens. Next, Cameron mixed some ink and taped up the excess areas of the screen. Now we were ready to print and 10 sheets later we were done. The first colour of the combine was done.
We stopped for lunch and in the time we had left we made some experiments using tape. Set a shape with tape on the back of the screen and then use ink to make some interesting colour prints. We learned how the ink mixes on the screen and how to mask off areas like a stencil.
Wash up time and that was our first day with Richard. We had a break and then came back for the rest of the afternoon. Cameron worked on a new drawing of an agricultural windmill or water pump as they were used, and I made some experiments with paper stencils. We decided to make Cameron’s drawing into a stencil and started cutting it up. It felt good to be thinking up ideas and just doing it. Just a few hours ago we didn’t have the confidence to do that. Now it felt natural, like we knew what we were doing. And it worked, we got a good print from the paper stencil.
Wednesday started with the aim to complete the combine harvester. Another 3 colours to print. Because the ink was water based and because of the weather, the ink dried quickly so we could over print after about 40 min. The finished edition of 10 prints were just stunning. A major achievement in so little time.
In-between the colour printing, when Richard washed the screens or prepared the next one, Cameron got on with developing the windmill print. He traced on top of the print where highlights should go and then made another paper stencil. This time with a grey ink. It was coming on really well. We removed the stencil for the final print just to see what would happen- a ghostly image of the windmill appeared. Later on Cameron would draw on top of this print to create a fantastic finished piece.
After a very busy day, it was time for dinner. We tried the Thai Street Food Wakefield and it became our favourite restaurant.
On Thursday the plan was to do another of Cameron’s drawings. This time of a tractor ploughing a field. We were going to do 3 colours in just a few hours. With screen printing there are always test prints before the good paper goes in. we had built up many such prints and they were overprinted with each new colour. The result was a stack of chaotic and beautiful prints which could easily go into the coming exhibition.
The final edition of the tractor was finished just as the photographer arrived so Richard decided to make another colour experiment print. Making a shape with tape on the screen Cameron then literally threw ink at the screen. Almost got the photographer too! He made some great prints with bright, bright colours.
Again in-between printing the tractor we worked on the windmill print. Cameron made a third stencil for which we printed in pink. He also over drew another of the ghost prints. They turned out great, and with that Thursday was done.
Friday started early. It was my last full day with Cameron. I would be going home on Saturday and Jason Davis would be coming down to take over my duties. Richard wasn’t working with us today so we had to carry on experimenting on our own. Through the week I had been making experiment prints with paper stencils and then overprinting with an exposed screen with a drawing on it. My drawings and paintings are all based on an imaginary place called Zillerholm. It allows me to mash out lots of different places and cultures in one place. The prints I made tied into this as well. I was really pleased with them but I didn’t need to do anymore of them. So today, Cameron and I worked together, using everything we had learned, to make hybrid drawings and prints.
We started with some quality paper, Fabriano Rosapina, and using watercolour, graphite and ink, made some paintings which were all about mark making and colour. Then we tore them up. We prepared the screen with a landscape format and attached strips of tape. Cameron mixed some bright colours and then we started printing. At first on fresh paper and later on the torn up paintings.
We over printed some twice, and on some prints used Cameron’s tractor plough image as well. It was a really fun day and we got what we wanted -the happy accident. It turned up everywhere. The paintings we torn up were printed really randomly, however when we fitted them back together in 2s and 3s it worked so well. They were meant to go back together. We were really pleased, the creative gods were blessing us today.
We cleaned up the studio and as I sorted out all the prints we had done over the 4 days, Cameron started over drawing 2 of the prints. He created a couple of gems. And with that we were done. A nine hour day. My legs were aching. I needed a sit down and a cold beer. I got both. It was a real pleasure working with Cameron and I really enjoyed our chats in the evenings over food and beer. I’ll miss Wakefield as well, the Arthouse staff and the sun. Time to go home.
We are delighted to announce that Cameron Morgan has been shortlisted for the Dentons Art Prize. Dentons is collaborating with curator Niamh White and artist Tim A Shaw to host a biannual £5,000 prize for the most exciting emerging contemporary artists working today.
The Dentons Art Prize is awarded by an independent jury of top art world professionals. Past panels have included high profile artists Richard Wentworth, Mark Titchner, Susan Hiller and Michael Landy, gallerists Neil Wenman, Simon Lee, Hannah Barry and Maureen Paley, collector and philanthropist Valeria Napoleone and curators Ziba Ardalan and Ellen Greig.
Each artist exhibits a selection of artwork at Dentons One Fleet Place meeting rooms and receives 5 hours of pro bono legal advice. Previous winners of the Dentons Art Prize include Paresha Amin (S/S17), Alexandra Lethbridge (A/W16) and Aimee Parrott (S/S16).
In conjunction with this award, Dentons also celebrates one artist with the “Staff Prize”. This will be awarded to the most popular artist as voted by Dentons’ London employees.
Congratulations to Cameron and all the other shortlisted artists!
The NHS recently bought a selection of paintings from Project Ability artists, which are now adorning the walls of their Glasgow and Edinburgh offices.
Yesterday, the artists were invited to visit the NHS offices in Cadogan Street to see their work in situ. The paintings looked amazing on the offices' coloured walls, and the artists were delighted to see their artworks on display. They happily posed in front of their paintings, and answered questions from the staff.
Everybody then enjoyed some refreshments and canapes afterwards.
Heather Lander, Project Ability's Exhibitions Coordinator said: "It was really great to have the opportunity for the artists to see their work in situ within the NHS offices. The reception the staff from the NHS put on for us was brilliant and very generous. The paintings look fantastic! Thanks to everyone who made it possible."
Artists: Fiona Thornton, Obi Oguguo, Martin Sloss, Jim Feeny, Craig Murray, Cameron Morgan, Jonathan McKinstry, Ronnie McCulloch.
Cameron Morgan will be in residence at the ArtHouse in Wakefield, from the 17th June to the 1st July.
He will be working in the print studio with local print maker Richard Marsden for three days each week. The outcome of the residency will be exhibited in the ArtHouse from the 26th July for one month with the possibility to then travel to other locations.
We are very much looking forward to seeing what he will create in the studio!
This week it's Aspire artist Ronald McCulloch's 'Jaguar' as our Artwork of the Week. Ronald has been attending the classes for a number of years, and his distinctive style always brings a smile. Ronald's work will be on exhibition in the Glad Cafe from the 2nd of June, so be sure to pop down and have a look!
This week’s Artwork of the Week is Tuesday Morning by Lucy Payne. This beautiful drawing is part of a new collection of studio portraits by Lucy Payne currently on display in Drawing People Drawing in Project Ability’s gallery.
In Tuesday Morning, Lucy has captured the very essence of Project Ability’s studio; the vibrancy of the workshop and of the artists who bring it to life on a daily basis. We can almost hear the chatter and the sound of pencils moving whilst the Tuesday morning Aspire group get to work.
A recent graduate from the Glasgow School of Art, Lucy previously volunteered with Project Ability’s Aspire programme and so has spent a great deal of time getting to know both the studios and the artists. What results in Drawing People Drawing is a very colourful, intimate and absorbing look at the way Project Ability’s studios and artists work.
Drawing People Drawing continues until 27 May and is accompanied by a new publication which features Lucy Payne’s illustrations alongside text from several of Project Ability’s artists. The publication was developed through a series of workshops with Joanna Peace and Anthony Autumn, and is available to buy in our gallery shop.
West Kilbride is Scotland’s first accredited craft town and The Barony Centre is the jewel in its crown.
The current exhibition, ‘Radical Craft’, was co-curated by Laura Hamilton, one of Project Ability’s board members, so the walking group took a trip by train to have a look.
You will see in the photographs that it is a wonderful and varied show with a fascinating range of materials and methods used in the making of the images and objects.
The group spent a long time looking at the exhibition with some guidance and information from Laura before cups of tea and a walk through the village.
There were several artist studios and shops along the way, most of which were unfortunately closed for the day, but a basket-making workshop was open and the group popped in there to have a look around and make a purchase.
This wonderful exhibition runs until 11th June so there is still some time to visit. You can find more information at http://www.crafttownscotland.org/forthcoming-exhibitions-2017/
Creative Scotland awarded over £1.2million through the Open Project Fund in March 2017 to 55 recipients, including individual artists, musicians, dancers, writers, theatre makers, festivals and organisations working across the arts, screen and creative industries. We are delighted to announce that our very own Cameron Morgan FRSA is one of the recipients!
The funding will enable Cameron Morgan to spend 12 months in Project Ability’s inclusive studio to reflect on his past body of work and research new creative practices. The project will include a residency at the Art House in Wakefield and the commissioning of three artists to invite him into their studios, where he will work alongside them to learn new skills and to further extend his creative practice.
The Art House is currently seeking a skilled printmaker to work with Cameron during his residency (more info here).
Congratulations to all the award recipients!
Join us on Friday 28th April, 12-1pm for the closing event of Tommy Mason's exhibition in the Trongate 103 foyer. Everybody welcome!
Aspire artist Tommy Mason's unique large scale paintings have taken over the Trongate 103 foyer as a celebration to World Autism Day, and will remain there until the 29th.
Tommy has been working with Project Ability for over 25 years, and the studio would not be the same without him. He helps to make Project Ability a creative and positive environment, and we are always happy to have the opportunity to share his art with the public. Tommy Mason’s style is one of a kind. Once you have seen his work you will forever recognise A Tommy Mason.
Project Ability is looking for a Freelance Arts Administrator to manage an outstanding programme of visual art activities and exhibition for children and young people with disabilities. The programme takes place in Project Ability’s studio in Trongate 103 in the centre of Glasgow and various off-site locations.
This is a freelance contract to cover a period of maternity leave. The fee is £7,200, 80 days over a period of 12 months.
Send completed application and your C.V to the Operations Manager at email@example.com or Project Ability, Trongate 103, Glasgow, G1 5HD
Closing date: 15th May. Interviews 23rd May.
Key duties and responsibility
- To work closely with the Artistic Director, staff team and artist tutors to plan and deliver a programme of workshops, exhibitions and events to support children and young people with disabilities to engage with contemporary visual art.
- To sustain existing and develop new partnerships with other key agencies – schools, community organisations and special interest groups to develop, coordinate and deliver an ambitious and high quality visual arts workshop and learning programme.
- To work with young people with disabilities to develop a programme of activities which support their creative learning and ambition.
- To supervise art tutors responsible for project delivery.
- To liaise with key stakeholders and funders.
- To effectively evaluate the programme against planned outcomes and to produce written reports as required.
Experience, knowledge and understanding
- Excellent track record of arts project administration.
- Ability to demonstrate a minimum of three years relevant work experience.
- Educated to degree or higher qualification in an arts related subject.
- Understanding the needs of children and young people.
- Understanding the special conditions required to give children and young people with additional support needs inclusive access to visual art.
- Experience of project monitoring and evaluation.
- Experience of report writing.
- Well organised with the ability to plan and deliver activities on time and within budget.
- Confident and articulate.
- Excellent written and verbal communication skills.
- Ability to work effectively as part of a small team.
Documents to download
After last year's successful collaboration, Glasgow Open House asked our Friday Aspire group to design once again the flags marking the venues taking part in this year's festival.
Glasgow Open House Arts is a small, not-for-profit group which celebrates Glasgow’s vibrant, insightful and industrious culture. They do this by inviting its residents to present art, music, and performance in their homes.
"This year, we’re working with two fantastic organisations based in Glasgow: The Coach House Trust and Project Ability. We will be creating joyful, colourful and characterful “way-finders”, which will be used during the festival weekend to mark the venues which house an exhibition or event. We had a wonderful time working with the Aspire Group artists. They have produced fantastic pieces which we can't wait to exhibit alongside the work in our programmed exhibitions."
The festival opens on the 28th April and runs until the 1st May.
Project Ability and C-Change have received £40,100 from the Heritage Lottery Fund (HLF) for an exciting project, Ladysbridge Hospital Project, in Aberdeen and Glasgow. Led by a project team managed by Project Ability and C-Change, the project focuses on the heritage of people with learning disabilities living in Aberdeenshire and nationally.
The project will enable people with learning disabilities who had lived at Ladysbridge Hospital in Banff, research the history of the hospital and the social history of people with learning disabilities and changing social conditions. Working with professional artists and supported by social care staff, the NHS Grampian Archivist and leading learning disability advocacy services, people with learning disabilities will share their stories in words and pictures to build a unique archive.
Ladysbridge Hospital was opened in 1865 and closed in 2003 and as many ex-patients had connections to the local area they remain to this day in and around Aberdeen having for the most part moved into their own accommodation. These people are now in their fifties, sixties and older and they want their stories to be documented and shared with their community. The project launch is on Tuesday 16th May, at Aberdeen Arts Centre and Theatre and is taking place to mark Learning Disability Week 2017. It is an opportunity to reflect on how the lives of people with learning disabilities in Scotland changed and how we can learn lessons from the past.
Commenting on the award, Elisabeth Gibson, Executive Director, Project Ability said: “We are delighted to have received the support of the Heritage Lottery Fund. The story of how people with learning disabilities were treated in the not too distant past is a timely reminder of how much society has changed and how people with learning disabilities contribute to our communities.”
Sheryl Walker, PR & Projects Development Manager, C-Change said “We are thrilled that the Heritage Lottery has provided the opportunity for C-Change and Project Ability to collaborate on a 2nd social history project. Ladysbridge Hospital is key part of Aberdeenshire's history and this project will help to raise awareness of how learning disability perception and policy has evolved over the years. It will be a privilege working with some of the ex-residents of Ladysbridge to share their personal memories of their experience of life in the hospital.”
Lucy Casot, Head of HLF Scotland, said: “Thanks to National Lottery players, HLF is able to help communities learn about and take pride in their local heritage as well as training in new skills. Learning about history can be rewarding, fascinating and fun, and the story of Ladysbridge Hospital, Banff is no exception.”
(Images from the Lennox Castle Project)
This week’s Artwork of the Week is Lots of Cats by Ross Agnew. Lots of Cats is currently on display in Project Ability’s main gallery as part of our current exhibition, CATS… the 2nd instalment. This beautifully vibrant and playful piece combines paint and coloured pen on canvas to portray a cheerful group of feline friends playing amongst the flowers. Ross Agnew is a young artist who participates in Project Ability’s Create programme, and developed this piece over a period of several weeks. Often drawn to animals as a subject, Ross has made several fantastic cat themed pieces recently, and in fact one of these, Two Cats is also included in CATS… the 2nd instalment.
You can see Ross’s work in CATS… the 2nd instalment until 13 April. With over 40 artists on show, and over sixty artworks, this show is a must-see, particularly if you are a cat lover. Running alongside CATS, in Gallery II, we are showcasing new work by Ruth Mutch in Penguins on Screen, a unique exhibition of penguins in disguise as actors from our favourite television programs. Another show definitely not to be missed!
Found Impressions is a new film from Project Ability! The film was recently shown as part of Found Impressions..., an exhibition of work created by children and young people with profound and multiple disabilities, delivered by Project Ability in partnership with Glasgow Print Studio, PAMIS, The DASH Club and The Anchor Centre.
The film captures the making process and and offers an opportunity to hear parents, tutors and staff speak about their experiences.
Click here to see photos from Found Impressions..., the exhibition, and look out for a forthcoming publication, coming very soon!
We're celebrating the closing of two exhibitions this week with another brilliant slip-cast telephone made by Project Ability's Cameron Morgan. This candy coloured phone is the last in a series of slip-cast telephones which looks back at the evolution of this marvelous invention! 'Put your sweet lips closer to the phone' has been on show in our Gallery II for the past month, and tomorrow is the final day. Each of the phones on display is an edition of five, and each one is priced at £180. Read more about Cameron on his webpage, or check out the brand new TV Classics website to see what Cameron has been up to over the past year.
Tomorrow sees the final day of this exhibition as well as The Artists of the West Midlands: A New World; a beautiful exhibition of paintings and drawings made by six very talented artists from the West Midlands who have been involved in a mentoring programme with acclaimed portrait artist Tanya Raabe-Webber.
"I was very excited when Project Ability asked me to co-curate this exhibition with them.
The Artists of the West Midlands: A New World is an exhibition of the work of five learning disabled, and one non-disabled, artists who I have been mentoring and supporting back home in Shropshire and Birmingham.
The artists all have their own unique style of working and the themes are all very different too. There are landscapes, mood landscapes, trains, motorways, Japanese gardens, portraits, and abstract forms. Curating this exhibition meant that I had to really look hard to seek out the connections and relationships that were present in the works so that each artists work complimented the others.
I worked very closely with Heather, Project Ability's Exhibitions Coordinator on this. We unwrapped and laid the artwork around the gallery, stood back, looked, moved the work around into different positions and talked about the artists’ work and creative processes. This gave us a kind of story to tell; the artists’ journey in their creative professional development as they made their work over the last 12 months, as part of their mentoring and for this exhibition.
This is the first time that the artists have exhibited outside of the West Midlands in a professional gallery. It was important that the exhibition shows a strong cultural identity as well as showcasing the artists’ creative and artistic development through the mentoring.
The artists themselves will be visiting their exhibition 22-25 February through an Arts Council England and Lottery funded cultural exchange trip #Take6. I can't wait to see their reactions when they see their exhibition."
The Artists of the West Midlands: A New World continues until Saturday 25 February, open Tues - Sat 10am - 5pm.
Ross Prince works in oil pastels on paper and canvas, creating 'mood landscapes' of various colours and compositions. #21 is an abstract drawing that has the look and feel of a painting. Using oil pastels in a creative and painterly way, Prince beautifully captures light and movement. Although he hasn't used any brushes, one can almost see the brush strokes that have made this artwork. The challenge of using this pallette should not be underestimated; we don't often see a painting with greens and oranges together in a harmonious way like this.
This is one of several 'mood scapes' by Ross in our current exhibition, 'The Artists of the West Midlands: A New World', which features six young artists from the West Midlands. This exhibition has been orchestrated by acclaimed artist Tanya Raabe-Webber, who also curated the exhibtion with Project Ability. Tanya also acted as mentor to these artists and has helped them to develop their artistic talent.
We are delighted that Tanya has secured funding to allow the artists to come to Project Ability for a two day Cultural Exchange, titled ‘Take 6’, which will include workshops at Project Ability and gallery visits around Glasgow. This has been funded by a ‘Grants For The Arts, supported using public funding by the National Lottery through Arts Council England.
Artwork of the week features this slip-cast ceramic 'Brick' mobile phone made by Cameron Morgan. Part of our current Gallery II exhibition, 'Put your sweet lips closer to the phone', this 1980's style cell phone is an edition of six, and sized a bit larger than the real thing. There are four different types of phones in this show, each one an iconic piece of history and design.
In 1876, 29-year-old Scottish born Alexander Graham Bell received a patent for his revolutionary new invention–the telephone. This marked the beginning of an evolution of wired and wireless communication that has proven to be one of civilisation's greatest and most important achievements. 'Put your sweet lips closer to the phone' highlights this evolution through Morgan's usual vibrant and bold style. Priced at £180 each phone is a limited and signed edition of either six or seven.
The exhibition is up until February 21st, along with 'The Artists of the West Midlands: A New World', at our first floor gallery at Trongate 103. Stop by for a look at the exhibitions and a browse of our gallery shop, which features a wide variety of hand made crafts and fine art - all made by our artists in our third floor studios!
'Always Here' by Erika Juniper is our artwork of the week. It is a four-minute video, filmed in the Tycanol Woods, while the artist was on residency. The solo material was created through a process of listening and responding to the self, the wild and the music. Project Ability is currently showing Erika's solo, along with three other artists’, until November 26. Each is accompanied by photographs and its own soundtrack, available through headphones.
Erika Juniper, along with fellow artist Andrew Kelly, both came to Glasgow to help lead workshops in our studios at Trongate 103. They, along with Arty Party's Ray Jacobs and inclusive movement practitioner Rachel Ligget, worked with Project Ability artists and dancers from Indepen-dance, to create their own personal 'solos'.
'Four Solos in the Wild' features moving imagery and photography. Additionally, there is also a slide show of images documenting the workshops that took place at Project Ability and Trongate 103, in the week before the exhibition.
Juniper's solo is a beautiful look into one person's relationship with the wild. It is a moving short film, a dance and a story. “Always Here’ can be seen until 26 November.
This project is supported by Arts Council England, The Basil Houghton Memorial Trust, and Telford and Wrekin Council.
Artwork of the week features this lovely 'Duck' in duck egg blue on mottled grey/brown paper. 'Duck' is one of many beautifully drawn birds on display as part of Scott Smith's exhibition titled, 'Birds'. These pen drawings on paper are flying, swimming and waddling off to new homes at a quick pace, so if this one takes your fancy please be in touch with the gallery before it too flies the coop!
Scott Smith has been working within our Aspire studios for several years, and his work generally depicts people and animals with confident lines and a sense of the beautiful and the comical. He began drawing these birds just a few months ago and we are delighted to be showing them as a whole collection. They are all new and original works of art that have already proven to be very popular.
The drawing, sized 43 x 59 cm is priced at a very affordable £20. 'The artwork is framed for our exhibition and is available for purchase in the frame, ready to hang on any wall, for £75. Come by the gallery to check out 'Birds', in our Gallery II, until November 26.
'Elvis Presley' is our artwork of the week. Painted by Patrick Butterworth, and on exhibit in our Gallery II, this painting depicts the world famous iconic singer in all his glory. 'Americana' is the name of Patrick's solo exhibition and it is up until October 29. These paintings are exquisitely crafted and carry all the life of the musicians and actors they represent. This exhibition happens to be up at the same time as Glasgow's Americana music festival, which is happening around the city for the month of October. Project Ability has two other exhibitions up along with 'Americana', all until October 29!
Patrick's work can also be found for sale in our online shop!
Public Call Out to Artists
Project Ability is looking for ‘Superheroes’!!! Our annual Christmas exhibition of 2016 will be all about these super human characters. We are looking for artworks of all mediums to include in this show. This is an open call exhibition and we are looking for submissions* from the public, to exhibit alongside Project Ability artists.
The exhibition runs from 1st - 23rd December.
*not all submissions will be exhibited
Timetable for submitting entries
Artists working in all media are invited to submit up to three artworks. The closing date for submission is is Saturday 12th November. All submissions should be handed into the Project Ability Gallery on the 1st floor of Trongate 103. Please email firstname.lastname@example.org with any queries.
Attached to every artwork must be an identification label with title and artist contact details and selling price of the work (if applicable).
Times for Handing in and Collecting
Selected work must be delivered to Project Ability Gallery, Trongate 103, Glasgow, G1 5HD in person by Saturday 12th November.
The artist will be notified if work is sold and unsold work must be collected from Project Ability Gallery between Tuesday 10th and Friday 13th January 2017, 10 – 5pm.
Artists are invited to submit up to 3 pieces of work. 2D and 3D work in all media is permitted, all works submitted must be unique original works. 2D work must be ready to hang. 3D work must be stable and safe to exhibit.
‘Superheroes’ is our annual fundraiser and artist’s agrees to donate to Project Ability a minimum of 40% from the sale of each item submitted. Sales will be banked by Project Ability with the agreed percentage due to the artist to be paid as soon as possible after the exhibition.
We look forward to receiving your submissions!
This week we bring you 'Elaine' by Lewis Scott as our Artwork of the week. This drawing is oil pastel on paper and sized at 60 x 83 cm. It is one of five portraits Lewis has made in the past year with us. Lewis works in our Aspire workshops and has been an artist at Project Ability for several years. His mark making is bold and strong, and his colours are rich and dense. 'Elaine' wears a black vest and bright pink t-shirt. The style is decisive and not at all precious. You can see the strength and energy that has gone into every colour and form, with no time wasted to clean up smudges and finger prints. To see the four other portraits by Lewis Scott please visit his webpage.
'Cookie Monster' is the star of our Artwork of the week post! Made in our Create studios by Aiden Kelly, it sits proudly in our current exhibition Young Talent 2016. Complete with a plate of glittered cookies, he has his arms open wide in anticipation of his favourite meal of the day. Aiden created this sculpture from cardboard, paint and glitter over several weeks in our Saturday Create programme for young artists.
'Cookie Monster' is only on exhibition until tomorrow at 5pm, when our Young Talent exhibition closes for another year. The young artists who work at Project Ability are making amazing works of art all year long in our Trongate 103 studios, and August/September is the time when they get to choose their favourite masterpiece to go on display in the gallery. It is always a fun, creative and exciting show. This piece is just one of the brilliant artworks that make up this year's show. If you haven't seen it yet there is still time!
This week we bring you 'Ringtone 1960' by Cameron Morgan as our artwork of the week. We are celebrating the start of the Unlimited Festival at the Tramway, which features Morgan's new show, 'Put your sweet lips closer to the phone'. There are four types of phones on display in Tramway 5, each from a different decade. In addition to Cameron's phones, the exhibition also showcases work by Koji Nishioka, Makoto Okawa and Yasuyuki Ueno.
'Ringtone 1960' is an editioned slip-cast ceramic piece, as are the other three types of phones Cameron exhibits as part of the Unlimited Festival at the Tramway. The Festival has a full brochure of performances and exhibitions to check out from now until September 25. Unlimited at the Tramway offers Glasgow an international programme of performance, visual art, discussions and more celebrating extraordinary work by disabled artists - we are delighted Cameron has this opportunity to showcase this new body of work amongst such talented artists and performers.
This week we bring you this mixed media canvas by Project Ability artist Judith Abubakar as our Artwork of the Week. Judith very often uses glitter and tissue paper to create her artworks. They are bright, colourful and full of energy. Working with these materials on a stretched canvas gives the finished piece a mix of both two and three dimensions. The bright pink back ground is applied first and given time to dry. Then the colours and composition of the glitter and tissue paper are carefully considered to make the work as brilliant and bold as possible. 'Glitter' is part of our Young Talent 2016 exhibition, on display in our gallery until Saturday the 24th of September.
Each year our annual Young Talent exhibition showcases and celebrates the artwork created by children and young people from Project Ability’s Create Programme, now in its 16th year. Our Create programme engages with children and young people with disabilities in a wide range of creative activities including visual arts, film and new media. For more information about this exhibition follow this link.
Judith's piece is a small but mighty work of art. With its colour, contrast and sparkling glitter, it joyfully shares Judith's talent and creativity.
Artwork of the week is this ceramic sculpture of the droid BB-8 from the latest Star Wars film- The Force Awakens. The sculpture is about as cute as the real thing, and very skillfully made by Alistair Downie. Alistair is part of our Create programme for young artists. Our annual Young Talent exhibition will feature this work, along with about 40 other artists' works from our Create programme. Opening this Saturday at 2pm, we welcome all of our young artists, along with their friends and family- and the general public- to join us in celebrating the amazing Young Talent of 2016 at Project Ability!
- Shop Item of the Week - ‘Wyllie’s Paper Boat’ by Michael McMullen
- Artwork of the week - by Martin Sloss
- Shop Item of the Week - by Tommy Mason
- Summer workshops public performance
- Artwork of the week - by Jack Hynes
- Film & Animation
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- Walking group
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